
It's easy to lose track of where you are, especially when where you are keeps changing. I'm on my fifth state in 10 days. I've developed a profound appreciation for the nuances of hotel breakfasts (don't eat the eggs). Hotel art is revealed to be a cavernous netherworld of creative endeavor in which the intentions of the artists seem both pleasant and unspeakable, like knitting sweaters out of puppies' ears.
WHY DO I DO THIS? Why do I accept the days and days of exhaustion, terror, displacement, and alienation that come with making music? Why don't I just stick to my day job; why do I keep on hacking at that privet hedge of notes? For years, I tried to divine how I felt about playing music, dowsing for my emotions every couple of minutes like a person desperate for water. Finally it hit me: I hate it. Can't stand it. Ugh.
It's a gift, when I play: a big, fat, bowed, bedizened present from me to me, from my heart to whatever sliver of self listens, heedless, for the cue.
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